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ohnotheydidnt
bartzina13 | |
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 1 Import Export (Ulrich Seidl) The most sorrowful movie of the year is also the best. The miserable lives of Ukrainian immigrants in Vienna make this agonizing but brilliantly directed opus the cinematic equivalent of slitting your wrists. A new genre? Depression porn? Hey, I got off. 2 Antichrist (Lars von Trier) If Ingmar Bergman had committed suicide, gone to hell, and come back to earth to direct an exploitation/art film for drive-ins, this is the movie he would have made 3 In the Loop (Armando Iannucci) A smart, mean, foulmouthed British satire about the struggle for global power that asks the all-important question: How do you debate the invasion of Iraq if your gums start to bleed in the middle of your presentation? 4 World’s Greatest Dad (Bobcat Goldthwait) Why, oh why, wasn’t this blackest of comedies a hit? Appallingly rude, decidedly family unfriendly, this autoerotic-suicide tale of a hateful son and his clueless father left the viewer gasping in surprise. 5 Brüno (Larry Charles) Don’t listen to the critics—it’s better than Borat. Imagine a hetero teen couple in a mall on a first date somewhere in Middle America watching Sacha Baron Cohen pantomime every known gay male sex act, ending in a joyous “facial.” Sometimes audiences get what they deserve. 6 Lorna’s Silence (Jean-Pierre and Luc Dardenne) How do these great art films get financed? European socialism, that’s how, and I’m glad the taxpayers abroad put up the dough for this Tracking Shots“R”Us masterpiece. Only the Dardenne brothers could get away with not showing the dramatic action that climaxes the whole movie. Just think if they had to test-screen this film in America! 7 Broken Embraces (Pedro Almodóvar) There was some grumbling from Cannes that this wasn’t one of Pedro’s best, but boy were those rumors wrong. It’s a beaut! A relentlessly intelligent melodrama filled with so many dizzying plot points that you’ll experience vertigo. 8 The Baader Meinhof Complex (Uli Edel) Now here were some kids who knew how to cause trouble! Hmmm...What should we do today? Stop the Olympics or blow up a commercial airplane? These radicals made the Weathermen look like pussies. 9 Whatever Works (Woody Allen) Gerontophilia never seemed so appealing. This time, Woody goes a little gay and lives to tell about it with lovely, comic success. I am so mad I don’t have this director’s career. 10 The Headless Woman (Lucrecia Martel) Bleached hair, hit-and-run accidents, in-laws with hepatitis? Huh? I didn’t get it, but I sure did love it! SourceTags: film
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ohnotheydidnt
wine_and_winter | |
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Keira Knightley Signs Up For New Cronenberg Film Star joins Inglourious Basterds' Michael Fassbender and Christoph Waltz in David Cronenberg's film of Christopher Hampton's psychoanalytical play.( Story inside... )
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food_porn
jonesa3 | |
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Boredom with turkey sandwiches+new dslr for Christmas=my first foodporn post! I know chicken is fairly common with Fettuccine Alfredo, but using some leftover turkey, I made a new post-Thanksgiving/Christmas favorite. I can offer some semblance of a recipe, but the essence of it is cream, turkey, pasta, and tons of garlic. Oh, and a good wine accompaniment (seen in top right) is a must. Enjoy! Fettuccine Alfurkey? Fetturkey Alfredo? Fettuccine Turkedo? Really, the possibilities are endless.  Tags: cheese, christmas, garlic, pasta, thanksgiving, turkey Current Location: Vancouver Current Mood: cheerful
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ohnotheydidnt
rescueme_fromme | |
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 Until Brittany Murphy lent her voice to the penguin Gloria in the 2006 animated hit Happy Feet, the public had gotten only a taste of the chanteuse within the actress on a No. 1 dance club track called "Faster Kill Pussycat," written and produced by Grammy-nominated British trance artist Paul Oakenfold. "Brittany trained as a singer before she did as an actress," Oakenfold tells PEOPLE. "She was a great actress but she had great vocal potential." At first, Murphy wasn't so sure she wanted to be attached to Oakenfold's song. She told PEOPLE in 2006, "I've been singing my whole life and [recording] a lot of anonymous vocals. And this was another anonymous vocal, 20 minutes behind the booth in the recording studio two years ago. Then Paul had asked me if I'd put my name on it. The song is so incredible, I said 'Yes,' and we made a video." But Oakenfold intended Murphy to be the centerpiece of his music video all along. "Her presence on the video is very powerful," he says. "She is very commanding visually and that's what we wanted. We wanted that energy and she did a great job." As for putting her name on the song, Oakenfold recalls, "I said to her, 'Why hide behind something? You have a really great vocal. People are going to be shocked and pleasantly happy with what they're going to hear. You are not one of these actresses who are trying to sing and not doing a good job of it.'" And he should know. "I demoed three other girls on that song," Oakenfold says, "and some of the girls were pretty big singers – and Brittany blew them away." In recent years, Murphy had been in the process of recording her own album. "She would have done well," Oakenfold says. "She wanted to try this with me, this smoky blues sound with electronic rhythms. She wanted to sound more traditional originally but I told her we should go more edgy. She was really excited by that and it's just a shame it never got as far as people thought it could. It's just a shame that the world is not going to hear more songs of Brittany Murphy."Faster Kill PussycatpeopleTags: death
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